Hot for Handyman

Apparently it isn’t just me.  Falling in love with your carpenter (electrician, handyman, whatever) is a thing. (Spoilers coming).

Kate Reddy, Allison Pearson’s protagonist in How Hard Can It Be? (sequel to I Don’t Know How She Does It – women of a certain age will enjoy both) has flashes of lust for her kind handyman, or as much of him as is visible sticking out from under whatever he is crawling around fixing. Grace, from Grace and Frankie (Netflix), the story of two older women whose husbands leave them – for each other – after 40 years of marriage, fell in love with her remodeling contractor years before, while still married. After I had begun writing my memoir of kitchen remodeling and falling in love with the Bulgarian while caring for my terminally ill husband, I read Wally Lamb’s I Know This Much Is True, where there is a brief but striking, and very moving (to me) portrayal of how the central character, Dominick, reacts to his Mother’s terminal diagnosis by deciding to remodel her kitchen, and a more in-depth portrayal of his life trying to manage care for his mentally ill twin brother.

Kate’s handyman knew long before Kate did that her husband was cheating on her. Grace actually consummates her love for the long-lost-and-found contractor, but he is caring for a wife with dementia. And the Mother in Lamb’s book puts a stop to the kitchen remodeling project after her son removes just the first panel of wainscotting, asking for something smaller – time and companionship – an ice cream sundae, instead.

The lives of these fictional characters resonate with me, because aspects of their imaginary experience reflect my real experience, and help me feel less alone.

I studied Jung in college, including the idea of “synchronicity:” that “meaningful coincidences” or simultaneous thinking occur between people who have no real connection to each other.  I got deeply into the idea of archetypes and the “collective unconscious.” Later in my life I experienced a kind of real-time “collective unconscious,” when performing improvisation – we called it the “group mind.”

I’ve written before, I think, about how I don’t believe in coincidences. I think people come in and out of each other’s lives for a reason, and that we encounter animals, things and events in our daily lives that signify more than just their objective descriptions. Those “events” may include the sudden impulse to turn on the TV or radio, or change the channel, only to find a song, or a program, or a line of dialogue that has special, surprisingly familiar meaning. Mike used to refer to the energy behind all this as “the gods,” and we would share with each other frequently what we thought otherwise unremarkable things were trying to tell us.

One thing the universe sure as hell is telling me is that “hot handyman” is an archetype, and there’s synchronicity going on about older women, cancer, grief, loss and resilience. It’s saying jump-start the stalled querying, Annie, and go for it. Collect rejections for your memoir proudly and keep going, because older women are having a significant moment. “The gods” (that loving, creative energy that Wayne Dyer talked about on those PBS specials) have hit the reset button on the the archetypes of the “widow” and the “crone” and freed older women to reinvent and redefine how they are perceived and what they can, and will, do. And what Grace and Frankie do in the two and a half or so seasons I’ve binge-watched so far, with lots more to go, is variously hilarious, shocking, and empowering.

I’m halfway through the first year of my 7th decade, and I never felt better. I’ve got a fantastic job and a great new haircut that makes me feel fab (and I don’t even care about how it reveals the bald spots – it’s so easy – just skwunch and go!) I haven’t been working out since I started the job, but I have a cool stand-up desk and make a point of taking the stairs a few times daily. I’m hoping to get back to the dumbbells next week.

Angelic Daughter is still having a very hard time processing the things I say about “carrying our sadness about Dad with us while moving forward to have happy lives.” Sad and happy, simultaneously? Hell, it’s hard enough for me to understand. But we’ve got things settled so she’ll be getting out more, meeting new friends, looked after by kind people at a place that is bright, beautiful, and welcoming. She’ll have lots to do to keep her busy, and, I think, happy, while I’m at work. Whew. Cue great night’s sleep and corresponding ten years off face, plus a few points shaved off the blood pressure.

Now where’s the handyman?

With hope, I remain, your

Ridiculouswoman

Image (I cropped it) by skeeze from Pixabay

I Get It Now, Mom

Mom died six years ago today, three days after her ninetieth birthday. Our relationship was often tense; I thought she was hypercritical, she thought I was, well, not everything she wanted in a daughter. Particularly regarding my hair, and my husband.

Every once in a while, though, Mom would surprise the hell out of me. One spring afternoon when I was 16, after weeks of nit-picky arguments about what I chose to wear, how much time I spent reading instead of going outside, and innumerable other stupid things mothers and daughters fight about, she told me to come outside with her.

She marched right up to our little Datsun station wagon, parked in its slot in the driveway, handed me the keys, and told me to get in. She walked around to the other side and got into the passenger seat.

The Datsun had manual transmission. I didn’t know how to drive a stick. My jaw dropped and I was rendered speechless (highly unusual) when I realized Mom was going to teach me how to drive a stick.

When I graduated high school, Dad gave me that car. Mom and Dad wouldn’t let me drive it off to college in southern California (a mere 2000 miles away, only a four day drive, I’ll stop at night, I’m eighteen, what was the problem?) but after my merciless whining, begging, pleading and explaining that life in California was impossible without a car,  they let my eldest brother, who had moved out to California to pursue his career in music, drive it out there for me. And at the end of my freshman year, I drove it home to Chicago, alone. And back, and home, and back, and home until I graduated college (except for that semester abroad.)

I gained a lot of experience and confidence by learning how to drive that car.

Thanks, Mom.

Mom had a weird way of descending stairs; she’d stick one foot out, look down, and hesitate before she actually took the step. Uncharitably, since I was (and am) overweight, I thought it was just because going downstairs was physically difficult for her after three kids and some extra pounds.

I wear progressive lenses now, with a “distant,” “computer,” and “reading” zone.

Ahhh, now I get it, Mom. You wore bifocals, and you were trying to get the right view of the next step to gauge its depth and distance. I find myself doing the same thing now.

Sorry, Mom.

In my twenties, after a weekend visit home from law school, when Mom had a negative thing to say about absolutely everything, we were cleaning up in the kitchen after dinner and I asked her, “can you think of a single moment in your life when you were truly, completely happy?”

She paused, and said, “Yes. It was a winter night in Boston and I had just come off my shift. It was a clear night. I looked up at the stars. I felt absolutely happy.”

My first reaction was hurt, that her moment of perfect happiness occurred when she was alone, and had nothing at all to do with her children. As Moms do, she read my mind, and said, “sorry” with a smile and a shrug.

But I get it now, Mom. You were really proud of becoming a registered nurse. You earned a scholarship.  Your parents didn’t want you to leave home. But you did, and you launched your professional life solely through your own hard work.  You loved being a nurse.

That night, you had something that was entirely your own. I’m envious that you pursued your vocation when you were relatively young. I muddled through job after stressful, unfulfilling job, always feeling out of place. It’s an enormous blessing at this stage of life for me to have found a job smack in the middle of my “flow” zone – where I experience a sense that I’m doing exactly what I should be doing – writing.

About 4 months before your 90th birthday, you got your hair cut, really short. Your magnificent head of white hair, that had revived itself after years of thinning, styled pretty much as it was in your nurse graduation portrait, above, was gone.

“Like Judi Dench,” you said. You loved it.

I was appalled, but I kept it to myself,

But Saturday, I got the most radical haircut of my life. Short, naturally curly pixie. And I absolutely love it – low maintenance, wash and wear, and it makes me feel renewed.

I hope I live long enough and still have my marbles when I get a radical haircut a few months before my ninetieth birthday.

That portrait of you? It’s on my writing desk.

Because I get it, now.

Remembering Mom with love and gratitude, I remain, your newly pixie-cut, happily writing,

Ridiculouswoman

Rumi, Barber and a Searing Sunset

I get too many notifications from Twitter.  My muted phone keeps waking up brightly every few minutes, urging me to interrupt my work and look! Look what (literary agent, publishing house or lit mag) just published, or look! Look at the clever swipe (celebrity) just took at (idiot politician.)

But Wednesday, when I reached to swipe away the latest text, I was surprised to find a notification of someone quoting Rumi, Mike’s favorite poet and spiritual inspiration. The quote, as presented, seemed to force a rhyme, and made me wonder about the translation, but the spirit was clear- love transforms pain.  I Googled several of the words used, and found a version that sounded more like the Rumi I came to expect from the many times Mike read him aloud to me:

“Through Love all that is bitter will be sweet, Through Love all that is copper will be gold, Through Love all dregs will become wine, through Love all pain will turn to medicine.”

“Hmm, cool.”

I put my phone down and got back to work, becoming so absorbed in writing that I was nearly late for meetings. I made it through the meetings quelling anxiety, because the they threatened to consume all the remaining time allotted to keep up the expected pace of production for the day. I forgot about the Rumi quote as I raced to finish my work, which I did, with two minutes to spare. Clock out.

On my drive home, I talk to Angelic Daughter via bluetooth (hands free!), except for the 10 minutes or so on the toll road, when conversation threatens to distract me from my primary task of avoiding being mowed down by crazed drivers flying by me, weaving lanes at 20 mph above the already generous speed limit.

Once safely merged, the quote came back to me, and suddenly a big spiritual sandbag of loneliness dropped heavy on my chest. I turned up the radio just as I remembered that Rumi quote, when I felt that sandbag land, and heard the opening notes of the Barber Adagio for strings.

“Oh, way to pile on, universe. Thanks loads.”

That piece was used in the movie “Platoon,” in a scene of devastating loss that ripped me up, and that music is forever associated with that scene in my mind. The Rumi quote makes me think about Mike. The Barber Adagio makes me remember tragic loss.

Now I’m sobbing on the speedway. After a few minutes spent brushing tears off my cheeks and blinking a lot to maintain visibility, the truck that had been looming to my left, so I couldn’t see anything in that direction, pulled ahead, revealing a spectacular sunset in progress. Intensely pink, with a shelf cloud seemingly lit from under, brushed by “horsetail” (cirrus) clouds, the whole ceiling of it cut off by a straight line cloud break with a strip of clear, baby blue sky beyond.

“Oh, my God,” I thought. “Look at that, Mike.”

My phone’s camera couldn’t possibly do justice to that blazingly beautiful pink sunset, and no photo could evoke what I felt in that moment.

“All that is copper turns to gold.” Pain is a kind of medicine. Rumi wrote a lot about living with suffering and pain, and learning from it. Mike wrote about his suffering as a kind of companion. Pain reminds us of love. Love turns pain into medicine. Mike wrote that Rumi had reminded him “that we all die and it doesn’t even matter because this our affliction is only a sigh. God is close to us. Endure your affliction and he may even reward you.”

Mike’s physical pain was “managed,” except when he was laid down too flat, when it was excruciating. His emotional pain was profound – having to say good bye to the Angelic Daughter he raised, having to leave her here without him.

My pain is muted in comparison, but it is real – the pain of seeing her still struggle to accept that he is gone, trying so hard to understand the abstraction of “his spirit energy and love are always with us.” Sharing the ache of our ongoing search for how to live fully without him.

I thought I had that under “control,” lately. I thought I’d made “progress.” Rumi, Barber and that sunset smashed that notion – the idea that I could compartmentalize grief. I’m grateful for that. I needed a big, sloppy, snotty, sob – accompanied by the moaning sound the sobs bring up from my core –  a kind of howling.

Love “turns pain to medicine.” Love tells me to embrace grief and understand that it isn’t going away. It’s just woven in, to my life as it is now and will be from now on.

With storm wind howling today, I remain, your muted, grateful, still-learning-from-love-and-pain-and-love,

Ridiculouswoman

Visitations: Non-Christmas Carol Versions

My dreams are either weird, or so real they wake me up sweating, laughing or crying.

I recently had two dreams that stuck with me – the first, a weird, “what the hell was that?” –  the second, a visitation.

First: I was downtown, late, on a dark, deserted street under the el (elevated train tracks, for you non-Chicagoans.) This was not a place anyone should be, late at night. Angelic Daughter was with me. I have no idea why we were there. The Bulgarian came out of a red door in an old office building, onto the sidewalk, then into the street. He was talking to a woman while he helped her pack her car. I overheard him say he and his wife were expecting a baby.

In the dream, he looked at me, and recognized me, but didn’t acknowledge me. I smiled, because I knew he was afraid I’d butt into his conversation, and wanted me to leave him alone, which I thought was funny.  Angelic Daughter was standing closer to him, and said hello, calling him by name, and he responded to her kindly before disappearing back into the building.

I have no idea if the Bulgarian is married, or if he is, or is to be, a father. He was very private around me (can you blame him?) But I had thought occasionally how great it would be if he had kids. He was kind and patient. I thought he’d make a great Dad; and if he had sons, they’d be adorable, burly little black-haired mini-Bulgarians, running around the unnecessarily childproofed basement the Bulgarian finished for Mike and me.

Damn, he looked good in that dream. Like the picture above.  But except for the black hair, he doesn’t look anything like that diver. No beard. He said he had tattoos, but I never saw them.  He was not as lean.

After he disappeared, I was suddenly in some dark, scary, back alley parking lot.  Leaves smouldered near a wood fence. I tried to pat them out with my hands, but couldn’t, so I tried to call the fire department, but didn’t have an address.  I panicked because I left Angelic Daughter alone while I went to look for the building number.

Freudian, much? Lost? Terrified, leaving Angelic Daughter (for a new job?) Parking lot – Stuck?

I have shaken off my ridiculous crush on the Bulgarian, but it made me feel less alone. Without it, my subconscious thinks I’m down a dark alley, in a dangerous parking lot, putting Angelic Daughter at risk. And something’s burning. Yikes.

Second dream: a visitation and a smackdown. I deserved it.

When I started my wonderful new job, the company introduced new hires in a weekly meeting, asking us where we were from, what our role was, and for a “fun fact.” My “fun fact” was that I attended the same high school and had the same English teacher as Dave Eggers. You know, Dave Eggers? McSweeney’s? A Heartbreaking Work of Staggering Genius? The Circle?

Crickets.

I’m several years older than Dave Eggers. But apparently he’s old enough for my young coworkers not to be familiar with him.

So, I did a bad thing.  I pulled out my Chris Farley connection. My young colleagues lit up when I said I had performed with Farley. Which is true. I was on an improv team with him, nearly thirty years ago. When he showed up.

I don’t like name dropping.

Neither does Farls, it seems.

I dreamt Farley was helicoptered in to perform in some black-box theater as a ringer for the next show.  He walked through the space toward me and spoke to a woman standing next to me. Then he looked straight at me, as if he didn’t recognize me. Or as if he did, and wasn’t pleased.

I got the message. Stop dropping my name. You didn’t really know me.

Which is true. He lit the sky I happened to be under for a few months, and then was off, to light up other skies over other people. Then he was gone. A meteor, a bright flame. Flamed out.

Sorry, Farls. This is the last time I’ll drop your name. But the dream was so real, and so funny.  You looked sculpted and fit (real Chippendale’s dancer!)

I’m sure that’s what Farley looks like in eternity, if he wants to.

May your dreams be filled with loving visitations, or little smackdowns, if you need them. Or a handsome Bulgarian who has found his own love and happiness, I hope.

Still hoping for some love and happiness to return again in my life, I remain,

Your stressed out, grateful for the new job but worried about Angelic Daughter, gaining weight and not worrying about it enough,

Ridiculouswoman

Diver Image by rodolfo_waterloo from Pixabay

I Wanna Dance with Somebody: or, No Crying at the Company Party, Please

“Oh, I wanna dance with somebody…” Right, Whitney, wail on!

“I wanna feel the HEAT with somebo-day-ay-ay…” You go!

“Oh, I wanna dance with somebody…” Yes, I think we’ve established that.

“with somebody who LOVES me….”

Oh shit.

Suddenly on the brink of tears in the middle of the company holiday party, because of an old Whitney Houston song?

The company, my new employer, has shown astonishing generosity and kindness to me in my scant one month’s time there. The very minute I learned of the company holiday party, I made a  reservation and arranged for care for Angelic Daughter. Couldn’t decide on a dress to wear, so I brought two: a beaded, flapper-style sequined cocktail dress, that cost a month’s rent thirty years ago, and a tasteful black and white ball gown with three-quarter sleeves, a collar and pockets(!) The kind lady at the dry cleaner’s got it hemmed in just four days, but I didn’t have time to alter the bodice, which was made for someone at least four inches taller than I. So to keep it from gaping in the front, I held the dress down with one hand behind my back when I approached the dance floor to bob and swish around a little.

There was an inordinate amount of rap shuffled with a few oldies, including the inevitable, the unavoidable, the ubiquitous, the eternal “Livin’ on a Prayer.” Much of the dancing from the young people was, I suspect, done “ironically.” But everyone was beautifully dressed, and truly seemed to be having a great time.

I was happily sitting alone, watching the merriment. I must have gotten up to head to the bar for a refill when, on the return trip to the table, that Whitney Houston song came on. I joined in the dancing…right up until that problematic lyric.

“….with sombody who LUUUUUVS me-eeee-eee-eee..”

The somebody who loved me has been dead for over 3 years.

I didn’t expect to dance with anyone at this party, and wasn’t upset about that. So it was a shock how instantly tears formed when that lyric hit me – exposing the stark loneliness of not having someone who loved me there with me.

Not that he would have danced. Mike was the embodiment of the stereotypical “white man dancing:”  stiff, awkward, no fluidity in the hips.

I sat down as soon as I realized what was happening – I was in danger of lapsing into tears in the middle of a festive, happy occasion. I got control of myself and held it together. No smeared mascara (and I was wearing mascara, and a thin streak of eyeliner, for the first time in something like twenty -five years. Astonishingly, I didn’t make a smudgy mess of it when I put it on.)

I talked to Mike as I assessed myself in the mirror before leaving the hotel room to go down to the ballroom.

“Not bad, huh, loves?”

I imagined him smiling approval.

I’m learning to live with loneliness, and to accept that it isn’t really ever going to go away. I have many wonderful new things in my life – the rooms I worked so hard to redecorate, the new job, Angelic Daughter’s amazing ability to adapt and gain independence and maintain a positive attitude in the midst of these changes. But Mike’s absence walks with me every step of the way. I think of it as a wise companion. I don’t get overexcited about much of anything, anymore, because that calm shadow reminds me how silly it is to dwell on fleeting nonsense in the presence of eternity.

Alone, again, here at my laptop, my wonderful old Vaio that Mike requisitioned from me almost as soon as I brought it home, I allow the tears to come. I thought this fourth Christmas without him would be easier.  The tree is set up in a different room, the new pattern of outside lights extends the classic swag I always hang across the front porch.

But it’s not easier. Mike is still every bit as gone, and we’re still every bit as alone.

I’m planning a very quiet holiday,  just the two of us at home, indulging in two quiet days of togetherness and rest, sitting with Mike’s absence.  Tears that may come are part of the deal. Happiness, when it emerges, will wrap itself around the tears, and around the absence and the sorrow. It may muffle them,  but I know now it can never make them disappear.

Blowing my nose, wiping my eyes and seeing Mike clearly, “regarding the tree,” as we used to do together, I remain,

Your quieter, older, slower, calmer, sadder but more grateful for each moment of smiles and tears,

Ridiculouswoman

 

 

Haircut and Heartache

I hadn’t had a haircut since April.  An entire summer of really bad hair days (can you say “humidity?”) and an upcoming job interview (Tuesday) put me back in the hair chair.

I showed my hairstylist a picture of Phoebe Waller-Bridge.

“That’s a lot like what we usually do.” she said.

What a difference waiting six month makes. Those scissors were inspired. And the blow-dry styling was exceptional.  So of course I bought the expensive new hair product she used,  even though I shouldn’t have spent the money and I’m sure I won’t be able to achieve the same effect.

The haircut pulled me out of a slump. Not just my little writer’s “everything I do sucks” tantrum the other day,  but a real slump caused by the shocking news that a friend I had known since kindergarten had died. He was fine Friday, and gone on Sunday, leaving a grieving husband and hundreds of stunned, saddened friends.

That hit me like a ton of bricks. Not only because I don’t want to believe that my peers and I have reached that stage in life where we look to the obituaries before we read the headlines, but because this particular friend was the kind you could take right back up with even if you hadn’t seen each other in decades. He was vital, loyal, funny, energetic and always responsive, although he was 2,000 miles away.

I messaged him when I reluctantly got back on Facebook in August, just to give him a heads’ up that my new friend request was legit. His response was:

♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️

I took his being there on the other end of Facebook for granted.  But now he’s not.

The last time I saw him in person was at our 40th high school reunion. (God, just typing  “40th reunion” makes me feel ancient). Of all the attendees, he was the last I would have thought would check out early.

We met on the first day of kindergarten. Best I recall, he was wearing dress shorts and Buster Browns. He was always well-dressed. Unwrinkled.  There was something different about him and it didn’t matter at all to the guileless, totally accepting 5-year olds that we were. Through the years we sang in school choruses together.  He had a wonderful bass voice. He performed in talent shows I directed and brought the house down with a brave, fey twist on the song “Convoy” – in high school, in the ’70s. He won everyone over and everyone loved him.  At the reunion I told him that his performance was the bravest thing I’d ever seen a friend do. I’m sure he brushed that off,  saying it was just for fun, but I hope he took in my true admiration.

The evening of the day I found out he was gone,  I had to go to chorus rehearsal, still feeling blue, stunned and pissed off (“how could this have happened? He was healthy, strong, vibrant!”) I turned west, and suddenly my windshield was filled with a breathtaking sunset.  Pink, peach, purple, and just enough cloud in front to make it possible to enjoy without being blinded by the setting sun.  It was a glorious reminder of my friend’s personality and his effect on everyone he knew.  It was a reminder to me of how far I have to grow (still, at my age) to even approach being the kind of person he was.

I found out later that he had been very ill last year, and medication for that illness had weakened his heart. He went to take a nap last weekend and didn’t wake up.  I hadn’t known he’d been ill, which, if I was any kind of good friend,  I should have. I feel rotten about that.  Another smack upside the head about how superficial my friendship can be. I don’t like that about myself and I’ve been trying to change that since my husband died. But here, I failed.

The pink in the sunset was the same color as the scarf my friend wore around his neck for his “Convoy” parody.  The rest of the colors were as vibrant as he was. Heaven got brighter when he arrived.

I think he would have liked the haircut, and my joke about how it made me look like a short, fat, senior Fleabag, and how people would think I’m an (old) pervy Englishwoman, and I didn’t know whether I should be worried or turned on. He would pick “turned on.”

At church the sermon today was about being present, in the now, and and letting go of anxiety, anger and frustration. It was about not letting routine and business interfere with living each day. This is the only this day you get.

Missing an old friend, right now, I remain,

Your composing-lists-of-people-who-should-receive-notes-of-gratitude-and-phone-calls-and-emails-and-texts-before-now-becomes-then,

Ridiculouswoman

Scents Memory

The other day,  I unconsciously picked up a bottle of perfume and did my “spray, stay, walk away” routine (learned from Carson Kressley, original Queer Eye episode).  I hadn’t used that perfume for a long time. It was the same kind as the last bottle of scent Mike bought me for Christmas.

He’d buy perfume, often with matching bath stuff and lotion, at Christmas.  I’m not sure I ever made it clear to Mike that I got the message in his choices – “Joy,” or “Mon Tresor.”  That last Christmas, he didn’t have the energy to find something on his own, so he just asked me what I wanted: “Modern Muse, please. Estee Lauder counter, I think.”  I found that scent in one of those samples that fall out of catalogs, that you peel open and sniff. I loved the scent, and I especially loved its name. I hope Mike took it as a message that I still wanted him to have a muse, that I still loved his poetic soul, and that I hoped he’d write poetry again, before he died.

His last journal was lyrical prose, about having cancer, and about rediscovering our love for one another, when cancer made everything else irrelevant. He also wrote about his embrace of suffering through his unconventional faith and his trust in the path he was on.

The perfume I used the other day is the same kind but not the same bottle. I used that up in the first year of widowhood, when I oscillated from screaming, sobbing grief one day to timid hope about a new kind of life the next.

I worked in warehouses during and after Mike’s illness. I’ve been wearing jeans almost daily ever since. Jeans express my physical strength and my determination to take on projects that involve some combination of power tools, dirt, ladders, chainsaws, paint and work boots.  The perfume is for when I wear empire waisted, v-necked, pajama-soft, print knit dresses that, I admit, show too much cleavage.  I own three of them and wear them any day it is warm enough, when I’m done getting sweaty with my workout or my redecorating or dirty with my gardening and yard work. As fall and winter progress, the dresses yield to deep-v-necked, soft wool sweaters.

The dresses and the sweaters say I’m not ready to let go of  womanliness. I’m not ready to become a crone. I’m not ready to dry up and grey out. I need to feel gorgeous and touchable. More than touchable.  I’m unwilling to accept that I’ll never be regarded that way again.

My Dad told me about a weird house in his home town. Legend was that it had been owned by an old lady who kept adding on to it, believing that as long as she did, she would never die. He may have said that kids in town believed the house was haunted. It made a good ghost story; the house was near a school.

Between the euphoria of being nearly done with redecorating and the panic that I’m still unemployed and running out of money, I wonder if I’m turning into that lady – the crazy old lady with the never-ending projects, trying to ward off aging and death.

Angelic Daughter’s Halloween costume arrived yesterday, and she looks adorable in it.  I can’t tell you what it is because she wants to keep it a surprise. But she keeps asking me what I want to be for Halloween. It’s never been worth dressing up to answer the door here. We get very few trick-or-treaters in our neighborhood, unless Halloween falls on a sunny Saturday. I usually just throw on a drugstore witch hat and light the jack-o-lanterns. It’s typically all over before 7:30.

Looking online for this year’s costume, among the princesses and movie characters, we saw a Fairy Godmother costume. I hadn’t seen one before.  I thought, “I could use a Fairy Godmother.  Bibbiddy-bobbidy-boo, a book deal, a job and a handsome prince for you!”

Maybe my semi-insane determination to finish decorating this house, even it bankrupts me, is about belief in magic, as a metaphor for faith. As a reason to hope.

Wednesday was a perfect bright-blue fall day. Feeling down about job prospects and writing, I impulsively took Angelic Daughter on a surprise outing to a local pumpkin farm that, until last year, I hadn’t known existed, even though it is less than 10 miles away.

Sitting in the haywagon waiting for the ride to start, I checked my phone, and found an email saying “impressed…would like to schedule you for a phone interview.”  For a writing job. With health insurance.

Do you believe in magic?

Waiting to hear back about an interview time, I remain,

Your faithful, fragrant,

Ridiculouswoman

Image by czarownica from Pixabay